Jean-Paul
Sartre (1905-1980)
French novelist, playwright,
existentialist philosopher, and literary critic. Sartre was awarded the Nobel Prize for literature in 1964,
but he declined the award in protest of the values of bourgeois society. His
longtime companion was Simone
de Beauvoir, whom he met at the École Normale Superieure
in 1929.
"The bad
novel aims to please by flattering, whereas the good one is an exigence and an act of faith. But above all, the unique
point of view from which the author can present the world to those freedoms
whose concurrence he wishes to bring about is that of a world to be impregnated
always with more freedom." (from What Is Literature, 1947)
Jean-Paul Sartre was born in
At the
"Man can will nothing unless he has
first understood that he must count no one but himself; that he is alone,
abandoned on earth in the midst of his infinite responsibilities, without help,
with no other aim than the one he sets himself, with no other destiny than the
one he forges for himself on this earth." (from L'Être
et le Néant / Being and Nothingness, 1943)
Sartre's first novel , LA NAUSÉE, appeared in 1938, and
expressed under the influence of German philosopher Edmund Husserl's
phenomenological method, that human life has no purpose. The protagonist,
Antoine Roquentin, discovers the obscene
overabundance of the world around him, and his own solitude induces several
experiences of psychological nausea. He is not only impressed by the solidity
of the stones on the sea shore, but feels similar kind of horror when he
contemplates the world of bourgeois banality. "Nobody is better qualified than the commercial traveller over there to sell Swan toothpaste. Nobody is
better qualified than that interesting young man to fumble about under his neighbour's skirts. And I am among them and if they look at
me they must think that nobody is better qualified than I to do what I do. But
I know. I don't look very important but I know that I exists
and that they exists. And if I knew the art of convincing people, I should go
and sit down next to that handsome white-haired gentleman and I should explain
to him what existence is. The thought of the look which would come on to his
face if I did makes me burst out laughing." The rationality and solidity of this world, Roquentin thinks, is a veneer.
LE
In his non-fiction works L'ÊTRE ET LE NÉANT (1943, Being
and Nothingness) Sartre formulated the basics of his philosophical system, in
which "existence is prior to essence." Sartre made the distinction
between things that exist in themselves (en-soi)
and human beings who exist for themselves (pour-soi).
Conscious of the limits of knowledge and of mortality, human beings live with
existential dread. "Man
is not the sum of what he has but the totality of what he does not yet have, of
what he might have." (from Situations, 1947) Sartre developed his ideas further in L'EXISTENTIALISME EST UN HUMANISME
(1946), and CRITIQUE DE LA RAISON DIALECTIQUE (1960). According to Sartre,
human being is terrifying free, and responsible for the choices he makes. In a
godless universe life has no meaning or purpose beyond the goals that each man
sets for himself. In Being and Nothingness Sartre argued that an
individual must detach oneself from things to give them meaning.
Sartre's first play, LES MOUCHES (1943), examined the
themes of commitment and responsibility. In the story, set in the ancient,
mythical
QU'EST CE QUE LA LITTÉRATURE (1947) is Sartre's best-known
book of literary criticism. He grouped poetry with painting, sculpture, and
music - they are not signs but things. For the poet emotion has become a thing.
A writer is always a watchdog or a jester. A novelist cannot escape engagement
in political and social issues. The function of the writer is to act in such a
way that nobody can be ignorant of the world. One of the chief motifs of
artistic reation is the need of feeling that we are
essential in relationship to the world. The reader brings to life the literary
object - it is not true that one writes for oneself. On the other hand Sartre
sees that literature is dying and alludes to newspapers, to the radio and
movies. "The goal of
art is to recover this world by giving it to be seen not as it is, but as if it
had its source in human freedom."
In 1956 Sartre spoke out on behalf of freedom for Hungarians, and Czechs in 1968. After Stalin's death in 1953
Sartre accepted the right to criticize the Soviet system although he defended
the Soviet state. He visited the
From 1960 until 1971 Sartre worked with a four-volume study
called L'IDIOT DE LA FAMILLE, a wide biography of Gustave
Flaubert, which used Freudian and Marxist interpretations, familiar from
his philosophical work. Sartre had been preoccupied with Flaubert since
childhood. In this study Sartre showed how Flaubert became the person his
family and society determined him to be. While writing this work, Sartre used Corydrane, a drug that also race bicyclists used in the
1960s. In 1974 Sartre visited the terrorist Andreas Baader
at the prison of Stammheim in
L'idiot was Sartre's last
large work; it remained unfinished. According to Sartre, the fact that he will
never finish it "does not make me so unhappy, because I think I said the
most important things in the first three volumes." From 1975 the
philosopher suffered from failing eyesight and near the end of his life Sartre
was blind. He died in
Jean-Paul Sartre was largely
responsible for our image of the postwar French intellectual - and as an
activist and writer he was considered the leading interpreter of the postwar
generation's world view. In his essays Sartre dealt with wide range of
subjects, sometimes in provocative manner. 'The